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    Publishers for Palestine condemns the Bologna Book Fair’s silence on Gaza.

    Dan Sheehan

    April 3, 2025, 2:45pm

    Publishers for Palestine, a global solidarity collective of nearly 600 publishers across 50 countries, has condemned the ongoing silence of the world’s largest children’s book fair on the slaughter of children in Gaza.

    In a press release issued earlier today, the advocacy coalition took the Bologna Children’s Book Fair (BCBF) to task for its failure “to speak out in protest of the horrific ongoing violence against Palestinian children,” and for ignoring calls by Palestinian and Arab publishers to suspend Israel’s participation.

    As the statement details:

    BCBF’s silence persists as Palestinian children have their educational infrastructure—their books, libraries, schools, teachers, and mentors—targeted and destroyed. It persists as Palestinian children are amputated, injured, starved, displaced, deprived of medical treatment, and traumatized watching their families killed and their communities suffer. It persists as Palestinian children continue to endure relentless fear of death by bombardment due to Israel’s onslaught, supported by the US, Germany, and other states that continue to supply weapons, funding, and diplomatic support for Israel in direct violation of rulings from the world’s top courts.

    n addition to contributing to this dehumanization of Palestinian children through its silence, and having hosted complicit Israeli publishers, the Bologna Children’s Book Fair has chosen to welcome a representative of the Israeli PR firm Galili Publishing (aka Galili Communications) as one of its exhibitors. Galili has published Zionist propaganda, including books on the “legacy” and success of the Haganah and the IDF.

    At least 15,600 children have been confirmed killed by Israel in Gaza since October 7, 2023 (though the actual death toll is thought to be significantly higher). This year’s edition of the BCBF, which came to a close today, arrived just two weeks after Israel committed the largest child massacre in its history, with more than 200 children killed in a single day. Prior to the October 7 attacks, 2023 had already been the deadliest year on record for children in the occupied West Bank.

    Earlier this year, Publishers for Palestine called for an industry-wide boycott of the Frankfurt Book Fair, the world’s largest trade fair for books, for its “repeated failure to address its longstanding ties to German state and corporate partnership in Israel’s genocide of Palestinians.”

    *

    Here is today’s press release in full:

    April 3, 2025

    BOLOGNA—As its 62nd edition closes today, and on the day after International Children’s Book Day, the world’s largest and oldest trade fair in children’s publishing has failed to speak out in protest of the horrific ongoing violence against Palestinian children. The Bologna Children’s Book Fair (BCBF) has remained consistently silent regarding Israel’s ongoing genocide of Palestinians, and has ignored calls from Palestinian and Arab publishers to suspend Israel’s participation.

    Last Monday, the Gaza Health Ministry released a 1516-page document listing over 50,000 Palestinians confirmed dead, killed by Israel. Among their names are those of over 15,600 children.

    According to Save the Children, over the span of just one week starting March 18th, 2025—a date that marks one of the largest massacres of children in history—at least 270 children were killed by Israel. Israel’s definitive breaking of the ceasefire agreement and its renewal of aggressive bombardment and brutal siege conditions this month make it more urgent for institutions to take up the guidelines of the Palestinian-led Boycott, Divestment, and Sanctions Movement in both policy and action.

    According to estimates based on the UN’s World Population Prospects 2024, the life expectancy of Palestinian children fell by 11.5 years from October to December 2023 alone. Israel has long practiced the illegal kidnapping, imprisonment, and abuse of Palestinian children, and hundreds of Palestinian children continue to be imprisoned in Israeli jails at the time of writing.

    The world’s largest children’s book fair claims on its website, that it “always endeavours to reserve space for marginalised voices,” but remains conspicuously silent as thousands of children are brutally murdered by Israel, publicly denouncing Israel’s genocide and acknowledging the horrific violence that Palestinian children have been subjected to. We urge BCBF to  take up a BDS resolution that follows PACBI’s guidelines (the Palestinian Campaign for the Academic and Cultural Boycott of Israel).

    BCBF’s silence persists as Palestinian children have their educational infrastructure—their books, libraries, schools, teachers, and mentors—targeted and destroyed. It persists as Palestinian children are amputated, injured, starved, displaced, deprived of medical treatment, and traumatized watching their families killed and their communities suffer. It persists as Palestinian children continue to endure relentless fear of death by bombardment due to Israel’s onslaught, supported by the US, Germany, and other states that continue to supply weapons, funding, and diplomatic support for Israel in direct violation of rulings from the world’s top courts.

    In addition to contributing to this dehumanization of Palestinian children through its silence, and having hosted complicit Israeli publishers, the Bologna Children’s Book Fair has chosen to welcome a representative of the Israeli PR firm Galili Publishing (aka Galili Communications) as one of its exhibitors. Galili has published Zionist propaganda, including books on the “legacy” and success of the Haganah and the IDF.

    PACBI stipulates that “Israeli cultural institutions, unless proven otherwise, are complicit in maintaining the Israeli occupation and denial of basic Palestinian rights, whether through their silence or actual involvement in justifying, whitewashing or otherwise deliberately diverting attention from Israel’s violations of international law and human rights.” The vast majority of Israel’s publishing institutions fail to affirm the inalienable, legally-enshrined rights of the Palestinian people according to international law. The BCBF has invited Israeli publishers that are complicit through their own silence, and, in an escalation of the BCBF’s complicity, has welcomed a Zionist propagandist publisher to its 2025 edition.

    This year, the world’s single largest annual publishing event, the Frankfurt Book Fair (Frankfurter Buchmesse, or FBM), faces a boycott called for by the international network Publishers for Palestine, and endorsed by the BDS Movement—for its deep and longstanding complicity in Israel’s long occupation, apartheid, and genocide.

    Frankfurt’s complicity spans decades, but came to the attention of the mainstream publishing world in 2023 after it shamefully cancelled an award ceremony for Palestinian author Adania Shibli, and openly proclaimed its position of “complete solidarity on the side of Israel.” Two enormous publishing industry players, BCBF and FBM are also partners; FBM is the creator of the“German Collective Stand” at BCBF, and BCBF’s new “Games Business Centre” was “created in collaboration with the Frankfurter Buchmesse.”

    The BCBF’s BolognaRagazzi Award with a 2025 special focus on “sustainability” claims to be “in line with the United Nations 2030 Agenda for Sustainable Development and the Sustainable Development Goals,” awarding books for exploring themes like “reduced inequalities,” “life on land,” “peace, justice, and strong institutions,” and “zero hunger”—yet BCBF remains shamefully silent on the blatant violations of children’s rights manifest in those same issues when it comes to Palestinian children.

    The City of Bologna has long been a site of protest against the Israeli occupation, and students at the University of Bologna have maintained a sustained divestment campaign against their intransigent administration. The Bologna Children’s Book Fair is of course not ignorant of the genocide. In 2024 it ignored a 2024 industry-based call from Palestinian and Arab publishers, authors, illustrators, and designers, to suspend Israeli publishers, and it similarly ignored a series of events designed by a collective of Italian illustrators to raise awareness of Israel’s genocide and the Fair’s complicity, and to raise funds for UNRWA.

    It shouldn’t need to be stated that Palestinian children have the same inalienable right to life, sustenance, housing, healthcare, education, dignity, and a healthy environment as children anywhere, but they are being deprived of all of these rights. The silence of the children’s book industry, including of the Bologna Children’s Book Fair, contributes to the ongoing denial of those basic rights.

    We celebrate the many children’s literature publishers, authors, illustrators, and book workers who continue to speak out against Israel’s genocide, and continue to raise their voices, bringing their colleagues and peers into their ranks. Despite the many efforts to silence us, our numbers continue to grow.

    As an institution that is ostensibly ethically focused on children, books, and education, the Bologna Children’s Book Fair should not escape scrutiny for its resounding silence on crimes that have impacted many generations of Palestinian children. Its silence on Israel’s war crimes, specifically its war on Palestinian children, is unacceptable; the world’s largest children’s book fair must denounce the world’s worst perpetrator of crimes against children; this means that it must denounce the Israeli occupation, apartheid regime, and the genocide of the Palestinian people, and ban the participation of Israeli publishers that are complicit in Israel’s crimes.

    Like reading? Reductress Book Club is here to make fun of you.

    James Folta

    April 3, 2025, 1:19pm

    Reductress is one of the best humor sites out there. They have an amazing editorial staff and a talented pool of writers who keep their headlines and articles sharp and surprising. It’s a tough moment to find a good comedic angle on the news, but Reductress’ topical satire continues to land by being direct, unflinching, and unexpected. I also appreciate that their editors have a deep love of silliness and absurdity: some of my favorite Reductress premises come out of left field, like Freddie Shanel’s “Grandma’s ‘Cure’ for Stomach Ache Also Recipe for Baking Soda Volcano” or Damien Kronfeld’s “Do You Not Believe in Ghosts or Are You Just Hurt None of Them Want to Talk to You?”

    Recently, the team at Reductress partnered with Phenomenal Media to launch a new project called Reductress Book Club, devoted to making jokes about books and reading culture. A friend and fellow writer had mentioned this project was in the works and I was very excited to see it debut — I had the same reaction as the Instagram commenter who wrote “holy shit reductress books??”

    The Book Club is just on Instagram for now, and is off to great start with headlines like “Wow! This Man Can Read Infinite Jest but Not a Fuckin’ Room,” “Woman Only Reads Memoir if Writer’s Life Worse Than Hers,” and “Woman Packs Seven Books to Read on Two-Day Trip,” which really felt directly targeted at my travel habits.

    I reached out to McKayley Gourley, who is one of my favorite comedy writers and part of the editorial team behind the Book Club, along with editor Sarah Pappalardo and associate editor Sumayya Bisseret-Martinez. Gourley is an associate editor at Reductress, and has also published widely, animated shorts for Adult Swim, and performs stand-up around NYC.

    We talked about the Book Club’s voice, unspoken rules around books, her favorite funny novels, and the funniest thing to read on your commute to work.

    The interview has been trimmed from our original conversations for clarity and length.

    The jokes I’ve seen on the Book Club Instagram are great, and I love the angle you’re taking on books culture — there are a few headlines that joke about specific authors or books, but most of them are satirizing people’s relationship to books, bookstores, and reading more broadly. What is funny to you all about book culture? What dynamics and patterns in particular are you interested in joking about?

    I think a lot of what I find funny about book culture comes from the unspoken, unofficial “etiquette” that a lot of readers recognize and abide by. Things like the universally acknowledged sentiment that being on the first page of a book while reading in public is objectively embarrassing, or that dog-earring your own books is fine but dog-earring a book you borrowed from someone else is extremely evil, or that you can count short stories toward your yearly reading goal, but only if it’s the end of the year and you’re desperate.

    I also find a lot of humor in the perception of reading. Like, people will assume you’re smart and bookish if they see you reading in public, but you could just be reading a 200-page Trolls fan fiction on your phone. I love that. Some reading you do to appreciate good prose and expose yourself to different perspectives, and other reading you do simply to disassociate on your commute to work. I find that dichotomy really beautiful. Also, reading a book where a character dies violently by dragon fire, then immediately heading to your 9-to-5 will never not be funny to me.

    The types of jokes that interest me the most are the ones that can hone in on a small, seemingly insignificant aspect of book culture and identify something that a lot of people can relate to. I find the more specific a headline is, the better it is at getting to the heart of a larger conversation.

    Are these jokes about things that bother you about the literature world?

    A little bit. Obviously, shining a light on the negative aspects of the literature world by poking fun at problematic authors like Colleen Hoover, or calling out the inane advice present in so many self-help books is part of Book Club’s goal. But we also want to write jokes that satirize the world of reading in the highly specific way that’s only possible if you’re coming from a place of love. You can only make jokes about an enemies-to-lovers romance novel about two rival realtors who are also randomly immortal werewolves just trying to live a normal life in the mortal world if you’ve actually read said novel.

    What’s the voice for the Book Club? Do you see it as distinct from Big Reductress at all?

    Book Club’s voice is definitely distinct from Big Reductress. For Reductress headlines, we’re looking for ideas that are culturally or politically relevant, or broad ideas that haven’t been said before that we feel are widely relatable. With Book Club, we’re writing headlines for and about book people, without worrying about if people outside the literature world can relate. Book Club’s voice is also meant to be a bit more lighthearted than the voice of Big Reductress.

    Is there a specific kind of reader that you see as the main character behind these headlines? To put it another way, who might the Reductress Book Club equivalent of The Onion’s “Area Man” be?

    Yeah, totally. Put simply, our “main character” is someone who actually enjoys reading. It might seem obvious, but a lot of jokes surrounding book culture are catered toward the idea of not wanting to read, or finding it difficult to get yourself to read. With Book Club, we’re looking to write headlines from the perspective of someone who loves reading, reads a lot, and has opinions about the things they’re reading, as well as book culture in general.

    Are there any Book Club headlines you’re particularly proud of?

    “Woman in Book Shares Lingering Moment With Bathroom Mirror So Readers Can Get the Gist of What She Looks Like” by Madeline Goetz really makes me laugh. Madeline is great at identifying specific and relatable tropes in literature and repackaging them in a satirical way.

    I also love “Woman Racing Against Kindle’s Estimation of How Long It’ll Take Her to Read Chapter” by Annie Ertle. That headline really strikes on the goal-oriented and achievement-focused nature of reading that is rampant in current book culture.

    To step away from Reductress for a second: you’re not just an editor, you’re a very talented and funny writer too. As a writer, which authors and books inspire you?

    What a nice question! Wow, there are so many, this is hard. I’ve always really enjoyed the work of Katherine Ann Porter. She writes so beautifully, and I often return to her work when I’m writing something other than humor. Pale Horse, Pale Rider is one of my favorites of hers. Toni Morrison, obviously. John Cheever. Tessa Hadley. Her short story, “The Bunty Club,” is one I often return to.

    Do you have any favorite funny books? And what do you think makes for a funny book?

    Funny books are so hard. I find I’m most delighted by humor in a book when I’m not necessarily expecting it, so I might be somewhat of a tough audience. The Summer Book by Tove Jansson comes to mind. The interactions between the grandma and her granddaughter were so well-written and believably funny. I also recently read the short story “Exit Zero” by Marie-Helene Bertino. Her use of absurdity was so fun and made an otherwise bleak subject (the death of a parent) incredibly funny and engaging.

    What are you reading right now?

    I’m currently reading The Swimmers by Julie Otsuka. I love her writing style –– she does such a good job of capturing the essence of the mundane items that make up our day-to-day lives, but in a way that doesn’t make them seem mundane at all.

    Here’s the shortlist for the 2025 Carol Shields Prize for Fiction.

    Literary Hub

    April 3, 2025, 8:00am

    Today, the Carol Shields Prize for Fiction, which celebrates excellence in novels, short story collections, and graphic novels written by women and non-binary authors and published in the US and Canada, announced its 2025 shortlist. This year’s finalists were selected by a jury consisting of Diana Abu-Jaber, Norma Dunning, Kim Fu, Tessa McWatt, and Jeanne Thornton.

    The winner of the Carol Shields Prize for Fiction will be announced on May 1 and will be awarded $150,000; each finalist will receive $12,500. In the meantime, here’s the shortlist:

    Dominique Fortier, tr. Rhonda Mullins, Pale Shadows
    (Coach House Books)

    Miranda July, All Fours
    (Riverhead Books)

    Canisia Lubrin, Code Noir
    (Knopf Canada/Soft Skull Press)

    Sarah Manguso, Liars
    (Hogarth)

    Aube Rey Lescure, River East, River West
    (William Morrow)

    Here are the winners of The National Book Foundation’s “5 Under 35.”

    James Folta

    April 2, 2025, 12:05pm

    The National Book Foundation announced the five writers under 35 whose debut novels or short story collections promise “to leave a lasting impression on the literary landscape.” This year’s 5 Under 35 honorees are short story writers, prose-poets, and novelists who have won numerous honors and positions in their still-budding careers.

    Every year, the honorees are picked by a group of fellow writers, previously honored by the National Book Foundation who each select one book to champion. The honorees, their books, and their selectors, are:

    Stacie Shannon Denetsosie, The Missing Morningstar and Other Stories

    Selected by Mona Susan Power for its “intense, brilliant energy — the well-crafted prose alternately poetic and stark, painting unforgettable scenes in striking detail”

    Megan Howell, Softie

    Selected by Deesha Philyaw for how “Megan so beautifully captures the heart going through the ringer while trying to survive.”

    Maggie Millner, Couplets: A Love Story

    Selected by C Pam Zhang, who found the stories “tender, prickly, funny, self-effacing, cerebral, erotic, and luminous.”

    Alexander Sammartino, Last Acts

    Selected by George Saunders for its “a sense of wry wonder that manifested as a pretty rare thing in fiction these days: genuine humor.”

    Jemimah Wei, The Original Daughter

    Selected by Morgan Talty for how it “transgress against the western arc of narrative,” and wrote that “there’s an element of transcendence to this book that’s hard to come by.”

    You can read more from the winners and about why each selection was made over at Vulture.

    This is the 20th anniversary of this program, which is sponsored by the Amazon Literary Partnership, and which awards each honoree a $1,250 prize—though surely Bezos can afford to pay them a bit more?

    Here are the finalists for the Women’s Prize for Fiction.

    Literary Hub

    April 2, 2025, 9:00am

    Today, the UK’s Women’s Prize Trust announced the shortlist for the 30th Women’s Prize for Fiction, which “champions excellence, originality, and accessibility in women’s writing,” and is awarded to the best novel of each year written in English and Published in the UK.

    “Now that we arrive at the announcement of our shortlist, what seems absolutely apparent to me is how perfectly each of these six novels exemplify the original tenets of the Prize: originality, accessibility and sheer brilliance,” said Kit de Waal, Chair of Judges, in a statement. “Our selection celebrates rich, multi-layered narratives that will surprise, move and delight the reader, all drawing on, in different ways, the importance of human connection. What is surprising and refreshing is to see so much humor, nuance and lightness employed by these novelists to shed light on challenging concepts. I’m in no doubt that these six novels will become the classics of the future.”

    Here’s the shortlist:

    Aria Aber, Good Girl

    Aria Aber, Good Girl

    Miranda July, All Fours

    Miranda July, All Fours

    Sanam Mahloudji, The Persians

    Elizabeth Strout, Tell Me Everything

    Elizabeth Strout, Tell Me Everything

    the safekeep

    Yael van der Wouden, The Safekeep

    fundamentally

    Nussaibah Younis, Fundamentally

    The winner will be announced on June 12 and will be awarded £30,000, as well as a bronze statuette called the “Bessie,” created by the artist Grizel Niven.

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