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    Here are the winners of The National Book Foundation’s “5 Under 35.”

    James Folta

    April 2, 2025, 12:05pm

    The National Book Foundation announced the five writers under 35 whose debut novels or short story collections promise “to leave a lasting impression on the literary landscape.” This year’s 5 Under 35 honorees are short story writers, prose-poets, and novelists who have won numerous honors and positions in their still-budding careers.

    Every year, the honorees are picked by a group of fellow writers, previously honored by the National Book Foundation who each select one book to champion. The honorees, their books, and their selectors, are:

    Stacie Shannon Denetsosie, The Missing Morningstar and Other Stories

    Selected by Mona Susan Power for its “intense, brilliant energy — the well-crafted prose alternately poetic and stark, painting unforgettable scenes in striking detail”

    Megan Howell, Softie

    Selected by Deesha Philyaw for how “Megan so beautifully captures the heart going through the ringer while trying to survive.”

    Maggie Millner, Couplets: A Love Story

    Selected by C Pam Zhang, who found the stories “tender, prickly, funny, self-effacing, cerebral, erotic, and luminous.”

    Alexander Sammartino, Last Acts

    Selected by George Saunders for its “a sense of wry wonder that manifested as a pretty rare thing in fiction these days: genuine humor.”

    Jemimah Wei, The Original Daughter

    Selected by Morgan Talty for how it “transgress against the western arc of narrative,” and wrote that “there’s an element of transcendence to this book that’s hard to come by.”

    You can read more from the winners and about why each selection was made over at Vulture.

    This is the 20th anniversary of this program, which is sponsored by the Amazon Literary Partnership, and which awards each honoree a $1,250 prize—though surely Bezos can afford to pay them a bit more?

    Here are the finalists for the Women’s Prize for Fiction.

    Literary Hub

    April 2, 2025, 9:00am

    Today, the UK’s Women’s Prize Trust announced the shortlist for the 30th Women’s Prize for Fiction, which “champions excellence, originality, and accessibility in women’s writing,” and is awarded to the best novel of each year written in English and Published in the UK.

    “Now that we arrive at the announcement of our shortlist, what seems absolutely apparent to me is how perfectly each of these six novels exemplify the original tenets of the Prize: originality, accessibility and sheer brilliance,” said Kit de Waal, Chair of Judges, in a statement. “Our selection celebrates rich, multi-layered narratives that will surprise, move and delight the reader, all drawing on, in different ways, the importance of human connection. What is surprising and refreshing is to see so much humor, nuance and lightness employed by these novelists to shed light on challenging concepts. I’m in no doubt that these six novels will become the classics of the future.”

    Here’s the shortlist:

    Aria Aber, Good Girl

    Aria Aber, Good Girl

    Miranda July, All Fours

    Miranda July, All Fours

    Sanam Mahloudji, The Persians

    Elizabeth Strout, Tell Me Everything

    Elizabeth Strout, Tell Me Everything

    the safekeep

    Yael van der Wouden, The Safekeep

    fundamentally

    Nussaibah Younis, Fundamentally

    The winner will be announced on June 12 and will be awarded £30,000, as well as a bronze statuette called the “Bessie,” created by the artist Grizel Niven.

    NaNoWriMo is shutting down.

    James Folta

    April 1, 2025, 1:42pm

    Looks like that’s the end of the manuscript for NaNoWriMo.

    In an email, the nonprofit announced that they’re wrapping things up for good. NaNoWriMo—which stands, for the uninitiated, for National Novel Writing Month—was founded in 1999 as a facilitator of writing challenges and programs; the marquee event is the titular November sprint to write 50,000 words in 30 days. But it seems like a combination of factors has impacted the organizations ability to stay afloat, despite a large and dedicated global community of writers.

    The nonprofit has had some challenges in recent years, stemming from both money and missteps. Arts nonprofits seem to always be struggling for cash, but NaNoWriMo’s troubles were made worse after it was scrutinized for some inappropriate behavior by volunteers and moderators and then more recently for its equivocating stance on AI.

    According to the farewell email, the reason behind the decision to shutter NaNoWriMo “is both simple and complex.” The email, which was posted in full on Reddit, goes on to lament that “this is not the ending that anybody wanted or planned.” The note explains that while “there is no shortage of writers who want to participate in NaNoWriMo … building a community and being able to sustain it are two different matters.”

    The real nitty-gritty behind the shuttering is explained in a video posted on YouTube: the organization’s money and participation problems were exacerbated by the aforementioned complaints about volunteer and moderator behavior, which then became major breaches in community safety and trust. Financially and reputationally, it doesn’t seem like NaNoWriMo was able to recover. The video mentions some alternatives that the group tried, but ultimately nothing panned out or proved to be a good fit.

    What’s next seems largely up to the community of writers involved in the organization’s programs. You can still write a novel manuscript in November, or any month really, but now you’ll have to attempt it without the nonprofit’s tracking software and website—incidentally, if you’ve got any data stored on the NaNoWriMo site, now’s the time to back it up.

    I’m sure people are already hard at work building something new to step into the gap—a quick glance at the active subreddit makes me think it’s already well underway. The feedback and encouragement in this community seems like its secret sauce, and the sort of thing that would make sprinting through a draft possible. Hopefully something new and cool blossoms from this community!

    Celebrate National Poetry Month with FSG’s Dial-A-Poem.

    Brittany Allen

    April 1, 2025, 12:37pm

    The American Academy of Poets launched National Poetry Month in 1996. Since then, April has been synonymous in some circles with verse. Even before that, the dawn of spring has felt poetic. Eliot called it the cruelest month, well before the bards Simon and Garfunkel put their paws in the mix. In any event? It’s a good time for rhyme.

    Reviving a recent tradition, the fine minds at Farrar, Straus, and Giroux are celebrating the sonnet in style this spring. Every weekday this entire month, you can call the FSG Poetry Hotline and hear an FSG author read a poem, right into your personal ear. 

    FSG’s poetry stable includes heavy-hitters, and a list honed over eighty years in business. Marianne Moore, T.S. Eliot, Yusef Komunyakaa and Louise Glück all spent time in the publisher’s stable. More recent additions include Rowan Ricardo Phillips and Frederick Seidel.

    In theory, any living member of that cadre could be tapped to speak sweet nothings on the hotline. So you’ll have to call every day in April. Just in case.

    I called this morning and heard Adam Plunkett, author of Love and Need: The Life of Robert Frost’s Poetry, reciting a piece by his favorite subject. The author of the capacious critical Frost biography selected “My November Guest” for your listening pleasure. Which, if you haven’t read it, is a great punctuation mark for a grey season. And in my case, a well-timed reminder to get outside. Recommend.

    But don’t take me on faith. Call 385-DIAL-FSG (385-342-5374) to listen. Readings will also be featured on Instagram.

    Image via

    Jeanne Thornton! Amy Gerstler! Videogame memoirs! 26 new books out today.

    Gabrielle Bellot

    April 1, 2025, 4:02am

    It’s April 1st, the first of the month in a year that has felt like living out political headlines better suited to April Fool’s Day, but I fool you not when I say that today is a special day, indeed, for any day that there are new books, new bits of art to get lost in when the world is too much, is a special day. And we need art more now than ever. Below, you’ll find twenty-six new books out today to consider in fiction, nonfiction, and poetry.

    In fiction, you’ll find highly anticipated novels and story collections from Jeanne Thornton, Anton Solomonik, Jane Flett, Rav Grewal-Kök, Ray Nayler, Nancy Kricorian, and many others. Lovers of poetry will find more offerings than normal today, with new work from Arthur Sze, Amy Gerstler, Sarah Kay, Martin Espada, Alex Dimitrov, and Robin Walter. And in nonfiction, you’ve got Michèle Gerber Klein on the surreal life of Gala Dali, Salvador’s wife and muse and an intriguing figure in her own right; Mike Drucker with a memoir on life and the special art (for those who know) of videogames; David Narrett with the most comprehensive history of the Cherokee nation to date; and more.

    Stay safe, Dear Reader, and as you wander through this famously cruelest of months, let some of these literary lights offer companionship and comfort. It’ll be worth it.

    *

    A/S/L bookcover

    Jeanne Thornton, A/S/L
    (Soho Press)

    “Beyond astonishing, imbued with witchery, lust, the isolation and connection of a game, devastating heartbreak, and the ageless, aching wrap of friendship and time. I can’t remember the last time a trans novel affected me this deeply. I can’t remember the last time any novel affected me this deeply. Jeanne Thornton is like a literary sorceress becoming more and more powerful with every new volume.”
    –Casey Plett

    Freakslaw bookcover

    Jane Flett, Freakslaw
    (Zando)

    “Holy hell, I loved this book. A carnivalesque tale spun in luscious, crackling prose, Freakslaw is the glittery punk offspring of Katherine Dunn’s Geek Love and Angela Carter’s Nights at the Circus. You know those books you want to roll around in, rub on your skin, and clasp to your heart? Freakslaw is one, and I can’t wait to see what Jane Flett does next.”
    –Chelsea G. Summers

    A Hole in the Story bookcover

    Ken Kalfus, A Hole in the Story
    (Milkweed Editions)

    “An edgy, discomfiting look at the alpha males of journalism in the age of #MeToo. [A Hole in the Story is] a taut, uncomfortable look at a man forced into a reckoning that’s much more personal than he’d like.”
    Kirkus Reviews

    Surreal bookcover

    Michèle Gerber Klein, Surreal: The Extraordinary Life of Gala Dali
    (Harper)

    “[G]ives Gala Dalí the close-up she deserves. When Gala met Salvador, they met their destinies. The more she erased herself in marrying the soon-to-be world-famous Surrealist, the more she recreated herself as muse, fan wife, money manager, life coach, artistic collaborator, and model for some of the most sensuous portraits of a mature woman ever painted. Surreal takes us backstage at the endless performance piece that was the couple’s life’s work and life’s play…and reshuffles art history along the way.”
    –Brad Gooch

    The Last American Road Trip bookcover

    Sarah Kendzior, The Last American Road Trip: A Memoir
    (Flatiron Books)

    “Kendzior is an absolutely terrific writer—a preeminent voice of her generation—and her love for this troubled country flows like a kind of lifeblood through her work. I tore through The Last American Road Trip like it was a great novel—except that the sadness and wisdom it imparted stayed with me far longer than most fiction. Every American, whatever their politics, will recognize a country that they love, that they miss—and that they might be able to reclaim.”
    –Sebastian Junger

    Good Game, No Rematch bookcover

    Mike Drucker, Good Game, No Rematch: A Life Made of Video Games
    (Hanover Square Press)

    “Mike Drucker is charming and hilarious, so it’s not a huge shock that his memoir is also charming and hilarious. Like all the best memoirs, it’s got love, heartbreak, daddy issues, bad wedding decisions, and the real story behind how one of The Legend of Zelda‘s most iconic characters got his name. (Seriously, Mike, why isn’t that on the cover?) I had a lot of fun reading about Drucker’s adventures through life and video games and you will too.”
    –Jason Schreier

    A Little Daylight Left bookcover

    Sarah Kay, A Little Daylight Left: Poems
    (The Dial Press)

    “Within the pages of A Little Daylight Left, Sarah Kay carries the poetic tradition of discovery and recovery. She is a prized memory keeper, offering readers a compass at the intersection of who you are and who you are brave enough to become. These poems are the homecoming you didn’t realize you needed.”
    –Mahogany L. Browne

    Is This My Final Form? bookcover

    Amy Gerstler, Is This My Final Form?
    (Penguin Books)

    “In her follow up to 2021’s Index of Women, award-winning Gerstler takes on aging, death, metamorphosis, and the mystery of sound and music in her signature voice, both accessible and keenly observant….A must for any contemporary poetry collection, reflecting the dizzying confusion of aging and avoiding plague in the modern era.”
    Library Journal

    Into the Hush bookcover

    Arthur Sze, Into the Hush
    (Copper Canyon Press)

    “The observant and electric Into the Hush by Arthur Sze views any environment, natural or made, as dynamic. A work that acknowledges all the poems that came before to make it possible, the accomplished poet indicates how a narrow field of poetry may offer a wider and deeper view.”
    Poetry Northwest

    Realistic Fiction bookcover

    Anton Solomonik, Realistic Fiction
    (Littlepuss Press)

    “What does it mean to be understood? My heart overflows at this long-awaited story collection, which blends Sonic the Hedgehog aesthetics with the exacting interior investigations of a trans Thomas Mann, and which answers that question through unforgettable narrators who passionately strive to become less than they are, and who fail.”
    –Jeanne Thornton

    Where the Axe Is Buried bookcover

    Ray Nayler, Where the Axe Is Buried
    (MCD)

    “Roll over, George Orwell: This post-apocalyptic dystopia makes Airstrip One look like a summer camp. Nayler’s sophomore novel is set in a familiar future world in which totalitarian orders rule, with recognizably Putinesque touches….All Nayler’s characters are well rounded….A richly detailed evocation of a grim future that is, sadly, absolutely believable.”
    Kirkus Reviews

    The Snares bookcover

    Rav Grewal-Kök, The Snares
    (Random House)

    “Here is, at long last, our immigrant John le Carré. The Snares is a propulsive thriller that dives into our technological chaos, political deceptions, and transnational identities with fierce intelligence and wit. Rav Grewal-Kök is a fearless and visionary writer.”
    –Xuan Juliana Wang

    The Cherokees bookcover

    David Narrett, The Cherokees: In War and at Peace, 1670 – 1840
    (Belknap Press)

    “With a deep dive into previously unpublished sources, Narrett has written the most comprehensive history of the eighteenth-century Cherokee people to date. He investigates their complicated geopolitical environment, their relations with other tribal people, and their strategic maneuvers on the chessboard of the European colonial powers…offers insight into Cherokee values, the role women played in war and peace, and the forces that transitioned the Cherokees from autonomous towns that shared values, history, and a sense of the sacred to the beginnings of [a] unified nation.”
    –Margaret Verble

    Fear No Pharaoh bookcover

    Richard Kreitner, Fear No Pharaoh: American Jews The Civil War and the Fight to End Slavery
    (FSG)

    “Not just brilliant—which it is—Fear No Pharaoh eloquently recounts how Jewish Americans, haunted by enslavement, variously responded to America’s besetting sin. Timely, superb, heartrending, not to be missed.”
    –Brenda Wineapple

    Shots Heard Round the World bookcover

    John Ferling, Shots Heard Round the World: America, Britain, and Europe in the Revolutionary War
    (Bloomsbury)

    “John Ferling has long been a master historian of the Revolutionary era in America. Here he broadens the view to encompass the larger war of which the American Revolution was a part…a sweeping tale engagingly told.”
    –H. W. Brands

    Little Mercy bookcover

    Robin Walter, Little Mercy: Poems
    (Graywolf)

    “Each poem of Robin Walter’s Little Mercy is a precise act of close attention to what more often goes unseen or gets taken for granted in the natural world….Attention is one definition for prayer, and Little Mercy does indeed seem a breviary of sorts, or perhaps one extended, secular prayer offered up against the damage we humans are capable of—against nature, against each other and ourselves….[a] tender, exciting spell of a debut.”
    –Carl Phillips

    Jailbreak of Sparrows bookcover

    Martín Espada, Jailbreak of Sparrows
    (Knopf)

    “Martín Espada is a captivating storyteller and memoirist. His great subject is the drama of the Puerto Rican diaspora; his method is meticulously crafted portraiture of lives that intertwine with history, among them his own, radiantly defiant and fearless. One of our most important contemporary poets.”
    –Joyce Carol Oates

    Ecstasy bookcover

    Alex Dimitrov, Ecstasy: Poems
    (Knopf)

    “Honest depictions of hookups, partying, and drug use, plus undertones of heartbreak….[We] are transported through the streets and local haunts of New York, Miami and Paris….Dimitrov’s collection is fast paced, in-the-moment, and reflective…sure to make connections with readers.”
    Library Journal

    The Ephemera Collector bookcover

    Stacy Nathaniel Jackson, The Ephemera Collector
    (Liveright)

    The Ephemera Collector is page-turning, wildly creative, and smart as hell. This impressive debut novel reads in part like ‘if Octavia Butler lived through COVID,’ while also being something boldly original in its voice, vision, and genius. Remember the name Stacy Nathaniel Jackson—this is an author to watch.”
    –Matt Johnson

    Small Ceremonies bookcover

    Kyle Edwards, Small Ceremonies
    (Pantheon)

    “Heartfelt, funny, and stirring, Small Ceremonies is an astonishing debut. Luminous enough to thaw a Manitoba hockey rink, this supple, sparkling novel follows an extended Indigenous family attempting to navigate Winnipeg’s difficult urban terrain. Resurrecting hope from a world of inequity and disruption, Kyle Edwards fills these pages with soulful revelation. The result is a profound meditation on longing: for what was, what might’ve been and what’s still possible.”
    –Adam Johnson

    The Burning Heart of the World bookcover

    Nancy Kricorian, The Burning Heart of the World
    (Red Hen Press)

    “Like colorful miniatures—from a childhood of elders haunted by the Armenian genocide, to girlhood and adolescence amidst war in Beirut, to marriage and children in New York at the time of 9/11—Nancy Kricorian finds just the right scale to bring her heroine’s passage to vivid, reverberating life.”
    –Aram Saroyan

    Mythocracy bookcover

    Yves Citton, Mythocracy: How Stories Shape Our Worlds
    (Verso)

    “Our lives are scripted, and we continually re-script them in our communicational activities. But for at least four decades, the right has controlled the narrative. Mythocracy explains…the formative power of narrative….He shows how it both reductively formats our lives and, in hands by a renascent left, might offer expansive openings for progressive change. An essential text for our ‘post-truth’ troubled times.”
    –Brian Massumi

    My Own Dear People bookcover

    Dwight Thompson, My Own Dear People
    (Akashic)

    “Manhood, masculinity, what it means to grow up in a world where who you are and who you are expected to be exist in powerful, soul-deep struggle….Dwight Thompson’s My Own Dear People tackles all these issues and more, in an important, beautifully written novel about a young man’s struggle to come to terms with the actions (and inactions) of his own past. This is one of the best books I have read in a long, long time.”
    –Jerry Stahl

    The Library of Lost Dollhouses

    Elise Hooper, The Library of Lost Dollhouses
    (William Morrow)

    “A straight-laced San Francisco librarian is surrounded by a dazzling cast of characters in Hooper’s latest, which jumps from modern day to Belle Époque Paris before taking off like a rocket through the twentieth century. An exploration of the link between art and artist, the secrets women must maintain in order to survive in a man’s world, as well as the caustic effects of withholding the truth from those we love most. This one’s an absolute gem.”
    –Fiona Davis

    Bad Nature bookcover

    Ariel Courage, Bad Nature
    (Holt)

    “Wicked and wickedly funny, Ariel Courage’s debut Bad Nature is a dark romp of a book, a road-trip novel propelled by a revenge plot. Nihilism and optimism collide in this story featuring a woman who is simultaneously confronting her childhood and her death. Hester is a caustic yet irresistible narrator, and this evocation of her journey across America reads as both hate mail and love letter to a complex country. Bad Nature is raw, intense, and absolutely mesmerizing.”
    –Helen Phillips

    The Gatsby Gambit bookcover

    Claire Anderson Wheeler, The Gatsby Gambit
    (Viking)

    “Claire Anderson-Wheeler brilliantly intertwines the allure of the Jazz Age with a gripping murder mystery in ‘The Gatsby Gambit.’ A dazzling homage to Fitzgerald’s world, this novel captivates from the first page to the last.”
    –Joanna Wallace

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